↓
[DIRECTOR/EDITOR] Cameron Danzey
[DP] Matthew Hopkins
[GAFFER] Storm Ashwood
[AC] Micheal Leung
[COLOUR] Daniel Witchey
THE ICONIC Icons
[PROJECT INFO]
↓
[DIRECTOR/EDITOR] Cameron Danzey
[DP] Matthew Hopkins
[GAFFER] Storm Ashwood
[AC] Micheal Leung
[COLOUR] Daniel Witchey
↓
[DIRECTOR / EDITOR] Stefan José
PACIFIC RUBGY The Power Of The Pacific
[PROJECT INFO]
↓
[DIRECTOR / EDITOR] Stefan José
↓
[DIRECTOR / DP / WATER OP] Stefan José
[PRODUCTION] Iconoclast Germany
[AGENCY] TLGG
[POST PRODUCTION] Heckler
BAYER Leaps
[PROJECT INFO]
↓
[DIRECTOR / DP / WATER OP] Stefan José
[PRODUCTION] Iconoclast Germany
[AGENCY] TLGG
[POST PRODUCTION] Heckler
↓
[DIRECTOR / EDITOR] Stefan José
[PRODUCTION] The Convicts
[POST PRODUCTION] Heckler
AUDI Electric Eye
[PROJECT INFO]
↓
[DIRECTOR / EDITOR] Stefan José
[PRODUCTION] The Convicts
[POST PRODUCTION] Heckler
↓
[DIRECTOR/EDITOR] Cameron Danzey
[DP] Miller Best
[AC] Charlie Slessar
[PHANTOM TECH] Daniel Coolahan
[GAFFER] John Domeney
[SOUND] Ahmed Natiq
[COLOUR] Daniel Witchey
RACING NSW TVC
[PROJECT INFO]
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[DIRECTOR/EDITOR] Cameron Danzey
[DP] Miller Best
[AC] Charlie Slessar
[PHANTOM TECH] Daniel Coolahan
[GAFFER] John Domeney
[SOUND] Ahmed Natiq
[COLOUR] Daniel Witchey
↓
[DIRECTOR / DP] Miller Best
[EDITOR] Cameron Danzey
NIKE Honey Fingers
[PROJECT INFO]
↓
[DIRECTOR / DP] Miller Best
[EDITOR] Cameron Danzey
↓
[DIRECTOR/EDITOR] Cameron Danzey
[DP] Liam O’Brien
[GAFFER / AC] Harry Dixon
BOODY Campaign
[PROJECT INFO]
↓
[DIRECTOR/EDITOR] Cameron Danzey
[DP] Liam O’Brien
[GAFFER / AC] Harry Dixon
↓
[DIRECTOR/EDITOR] Cameron Danzey
[DP] Matthew Hopkins
[GAFFER] Alan Fraser
[AC] Micheal Leung
[COLOUR] Alina Bermingham
MODUS CERVESA Get Together Be Yourself
[PROJECT INFO]
↓
[DIRECTOR/EDITOR] Cameron Danzey
[DP] Matthew Hopkins
[GAFFER] Alan Fraser
[AC] Micheal Leung
[COLOUR] Alina Bermingham
↓
[DIRECTOR/EDITOR] Cameron Danzey
[DP] Matthew Hopkins
[GAFFER] Storm Ashwood
[AC] Micheal Leung
[COLOUR] Daniel Witchey
THE ICONIC Icons
[PROJECT INFO]
↓
[DIRECTOR/EDITOR] Cameron Danzey
[DP] Matthew Hopkins
[GAFFER] Storm Ashwood
[AC] Micheal Leung
[COLOUR] Daniel Witchey
↓
[DIRECTOR/EDITOR] Cameron Danzey
[DP] Matthew Hopkins
[GAFFER] Storm Ashwood
[SOUND] Ahmed Natiq
LEVIS Amyl & The Sniffers
[PROJECT INFO]
↓
[DIRECTOR/EDITOR] Cameron Danzey
[DP] Matthew Hopkins
[GAFFER] Storm Ashwood
[SOUND] Ahmed Natiq
↓
[DIRECTOR/EDITOR] Cameron Danzey
[DP] Henry Schofield
[AC] Ian Tyley
[SOUND] Ahmed Natiq
REBEL SPORT Run Free
[PROJECT INFO]
↓
[DIRECTOR/EDITOR] Cameron Danzey
[DP] Henry Schofield
[AC] Ian Tyley
[SOUND] Ahmed Natiq
↓
[DIRECTOR] Julian Kelly
[DP] Mondo Hays
[EDITOR] Cameron Danzey
MERRY PEOPLE Adventures Of
[PROJECT INFO]
↓
[DIRECTOR] Julian Kelly
[DP] Mondo Hays
[EDITOR] Cameron Danzey
↓
[DIRECTOR/EDITOR] Cameron Danzey
[HEAD OF PROJECTS] Brad Arnold
[DP] Boris Yvmenets ACS
[AC] Michael Leung
[2ND] Bronte Mednis
[GAFFER] Marcel Breed
[SOUND] Ahmed Natiq
QLD GOVERNMENT Road Safety Campaign
[PROJECT INFO]
↓
[DIRECTOR/EDITOR] Cameron Danzey
[HEAD OF PROJECTS] Brad Arnold
[DP] Boris Yvmenets ACS
[AC] Michael Leung
[2ND] Bronte Mednis
[GAFFER] Marcel Breed
[SOUND] Ahmed Natiq
↓
[DIRECTOR/EDITOR] Cameron Danzey
[HEAD OF PROJECTS] Brad Arnold
[DP] Matthew Hopkins
[AC] Michael Leung
[2ND] Bronte Mednis
[GAFFER] Marcel Breed
[SOUND] Ahmed Natiq
SAMSUNG Galaxy Buds3Pro
[PROJECT INFO]
↓
[DIRECTOR/EDITOR] Cameron Danzey
[HEAD OF PROJECTS] Brad Arnold
[DP] Matthew Hopkins
[AC] Michael Leung
[2ND] Bronte Mednis
[GAFFER] Marcel Breed
[SOUND] Ahmed Natiq
↓
[DIRECTOR] Cameron Danzey & Sam D’Souza
[DP] Miller Best
[AC] Sandy Mclennan
[GAFFER] Nik Damianakis
[EDITOR] Cameron Danzey
[COLOUR] Nicholas Andrews CSI
ADIDAS Originals
[PROJECT INFO]
↓
[DIRECTOR] Cameron Danzey & Sam D’Souza
[DP] Miller Best
[AC] Sandy Mclennan
[GAFFER] Nik Damianakis
[EDITOR] Cameron Danzey
[COLOUR] Nicholas Andrews CSI
C
info@clientelestudios.com
Clientele [formerly CADILLAC CLUB] is an end-to-end production house with a directory of award winning directors, photographers and editors who are at the forefront of culture and captivating storytelling. We harmonise with brands and deliver work with bold aesthetics and cinematic impact on jobs of all shapes and sizes.
[SERVICES]
Creative Concepting
End-To-End Film Production
Sound Design & Production
Design & VFX
Photography
Post Production
Retouching
↓
info@clientelestudios.com
Clientele [formerly CADILLAC CLUB] is an end-to-end production house with a directory of award winning directors, photographers and editors who are at the forefront of culture and captivating storytelling. We harmonise with brands and deliver work with bold aesthetics and cinematic impact on jobs of all shapes and sizes.
[SERVICES]
Creative Concepting
End-To-End Film Production
Sound Design & Production
Design & VFX
Photography
Post Production
Retouching
C
↓
[DIRECTOR / EDITOR] Cameron Danzey
[HEAD OF PROJECTS] Brad Arnold
[DP] Matthew Hopkins
[AC] Matt Scott Chow
[GAFFER] Harleigh English
[TRACKING VEHICLE] Scorpio Ops
[DRONE] Flying Dragon
[COLOUR] Matt Campbell
[PHOTO] Chris Grundy
[PRODUCER] Micheala Le
[CAMERA OPS] Liam O’brien & Caleb Graham
[LIVESTREAM TECH] Duncan Underwood
[OBJECTIVE] To create a 5 min global car launch video, plus a stunt film in the Aus outback. Turn it around within 24 hours for a live broadcasted event launch (by us). While running an event unit film crew to deliver a fast turnaround hype reel. Seems easy right…
[PRE-PRODUCTION] 2 weeks
[SHOOT DAYS] 1 Day - 15 hours
[CREW] 18 weapons
[POST PRODUCTION HOURS] 24 hours
[SLEEP] 4 hours
BYD Shark 6
[PROJECT INFO]
↓
[DIRECTOR / EDITOR] Cameron Danzey
[HEAD OF PROJECTS] Brad Arnold
[DP] Matthew Hopkins
[AC] Matt Scott Chow
[GAFFER] Harleigh English
[TRACKING VEHICLE] Scorpio Ops
[DRONE] Flying Dragon
[COLOUR] Matt Campbell
[PHOTO] Chris Grundy
[PRODUCER] Micheala Le
[CAMERA OPS] Liam O’brien & Caleb Graham
[LIVESTREAM TECH] Duncan Underwood
[OBJECTIVE] To create a 5 min global car launch video, plus a stunt film in the Aus outback. Turn it around within 24 hours for a live broadcasted event launch (by us). While running an event unit film crew to deliver a fast turnaround hype reel. Seems easy right…
[PRE-PRODUCTION] 2 weeks
[SHOOT DAYS] 1 Day - 15 hours
[CREW] 18 weapons
[POST PRODUCTION HOURS] 24 hours
[SLEEP] 4 hours